Chris Crisman Photography

crisman wild horses

Hey everyone! This years Communication Arts Photography Annual was just delivered here to our studio. We’re always excited when this issue falls on our desk – there’s always so much amazing work included. So we’re equally excited to announce that our “Wild Horses” photo was selected to be included in the Advertising section!

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 We also owe a big congrats to fellow group member, Andy Anderson, for scoring the cover this year with a beautiful shot from his book, SALT. And we can’t forget fellow shooters Richard Schultz, Hunter Freeman, and Leigh Beisch – so proud to be part of such a talent group with Heather Elder Represents.

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Questions? Comments? Let us know at @crismanphoto on Instagram and /crismanphoto on Facebook.

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crisman_5Ds

Hi everyone!

So we just recently received a new Canon 5Ds. It’s been a long wait since we pre-ordered, but it’s finally here so we decided to see how it looked side by side with our trusty 5D Mark III and our somewhat finicky IQ 160 Phase One back. Below are some comparisons of Chris’ pearly blues from ISO ranges 100-800.

This is just our quick look at the cameras side by side to get a idea of what the new canon is all about. It’s by no means an in depth technical review… We’re not exactly the most technical photo crew on the planet and we’re not hoping to be so either.

What we’ve noticed between the cameras is that the 5Ds files have a bit more contrast than the 5D3. The 5D3 handles higher ISO’s a little better than the 5Ds but that was expected with the cramming of more pixels into the sensor. The 5Ds is very close in sharpness to the IQ160 but we feel the IQ160 beats it just barely. In terms of ISO, the IQ160 is really not great above ISO 200, and even though we rarely shoot above 800, the 5Ds will be able to cover us in that department as well as having an actually functioning auto focus system.

I’m sorry medium format cameras, but you guys just cant keep up against massive multi-point AF arrays. I can see us moving away from the IQ160 for these reasons alone, but then again it could open the door for buying an even larger medium format back in the future.

Take a look at the images below.  We’d love to hear your take on all of this as well – let us know in the comments!

-Jared

Click the images to see them at 100%.

ISO 100 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 100 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 200 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 200 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 400 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 400 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 800 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 800 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

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chris crisman editorial photography Southwest Airlines Shakespea

In the fall 0f 2014, the Crisman team headed to Detroit to spend a week working with a group of artists and actors who make up Shakespeare in Detroit. Founded in 2013, Shakespeare in Detroit is a site-specific Shakespeare company that performs throughout the city of Detroit. From the costumes to the actors, the staging and their props – every piece of the SID productions are sourced and based in Detroit. They’re an amazing group of people who are breathing life into the city, and we couldn’t be happier to tell their story.

chris crisman editorial photography Southwest Airlines Shakespea

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For this shoot we wanted to bring the characters of Shakespeare to life in real locations that spoke to the city of Detroit. The first and most obvious thought would be do go down the route of ruin and shoot inside the crumbling remains throughout the city – but this is a misstep. The true Detroit, the 2015 Detroit is not a crumbling remain, it is a city in rebirth, a thriving city which plays just as an important role in this project as the characters we’ve staged in front of the lens.

chris crisman editorial photography Southwest Airlines Shakespea

chris crisman editorial photography Southwest Airlines Shakespea

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Art, culture, food, it’s all there in Detroit. And it’s growing – faster than you may image. From city institutions like Coney Island hot dogs to brand new craft distilleries and burgeoning restaurants, there couldn’t be a better city to stage this performance in.

Not happy with just shooting stills, our team also captured motion for this project, including this video interview with the founder and director of Shakespeare in Detroit, Sam White. Although our photos may shed some light into the amazing production she founded, Sam shares the story of SID in a way that only she can.

chris crisman editorial photography Southwest Airlines Shakespea

chris crisman editorial photography Southwest Airlines Shakespea

Can’t have a shoot without some light tests and BTS coverage. We kept our kit pretty small and mobile since we were shooting at least 2 locations a day and sometimes more.

chris crisman editorial photography Southwest Airlines Shakespea

chris crisman editorial photography Southwest Airlines Shakespea

One of the most unique and most distinctively Detroit locations was The Heidelberg Project, a large scale outdoor art exhibit that spans an entire city block.

chris crisman editorial photography Southwest Airlines Shakespea

And then I got stuck in a fish tank. Well – not really… we did shoot at the amazing Belle Isle Aquarium, a historic building designed by the legendary architect Albert Kahn.

chris crisman editorial photography Southwest Airlines Shakespea

chris crisman editorial photography Southwest Airlines Shakespea

Aside from being the stage for our scenes photographed from Othello, Slow’s Bar Bq serves some damn tasty BBQ and is a must visit if you’re in the city.

chris crisman editorial photography Southwest Airlines Shakespea

chris crisman editorial photography Southwest Airlines Shakespea

chris crisman editorial photography Southwest Airlines Shakespea

chris crisman editorial photography Southwest Airlines Shakespea

We owe a big thank you to our editors at Southwest magazine for trusting us to bring this wild story to life. We also owe a thank you to Sam White and the entire acting company at Shakespeare in Detroit – we couldn’t have pulled this off this without all your help! Last but not least, we owe a thank you to the city of Detroit – the other character throughout this series of photos – quite possibly the most appropriate backdrop for these images.

chris crisman editorial photography Southwest Airlines Shakespea

And last but not least here’s a photo of Jared asleep while sitting in for a light test. Yup – it was definitely a long week.

Thanks for reading – make sure to check us out at @crismanphoto on Instagram and /crismanphoto on Facebook.

 

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Hi everyone! Jared here. You may remember me from past blog posts such as Assistant Interview: Jared Castaldi  and pretty much any other post where I’m standing in testing light for Chris or acting a fool. I’ve been working with Chris off and on over the years as an assistant, digital tech, second shooter, etc. You name it. But most recently I’ve been handed the task of telling the story of how we came to make two of Chris’ recent portfolio pictures: Neon Boy and Golfer.

chris crisman neon boy golfer portrait

chris crisman neon boy golfer portrait

Back in January of this year, Chris, Robert, Zack (our in house digital artist), and myself packed up and headed out west to Las Vegas. Chris had ideas for three pictures. Unfortunately due to weather issues, one of our pictures never came to be. I won’t mention what that picture was because it’s still in the works for later this summer. So you’ll just have to wait!

chris crisman neon boy golfer portraitWhen we end up in Vegas, we usually end up at Tacos El Gordo. They are amazing. Go there and get the adobada tacos.

chris crisman neon boy golfer portrait   And when you’re in Vegas, you usually end up at a Casino. We like the Cosmopolitan but we didn’t stay there this time (but we stayed in sight of it!). They have secret pizza. We like pizza.

chris crisman neon boy golfer portraitHere you can see I’m taking a selfie of myself and the back of Robert’s head while riding an escalator in the Belaggio.

chris crisman neon boy golfer portraitIt was the Chinese New Year while we were in Vegas. The Bellagio had a huge display in their lobby for it. The goats were robots and they moved around and made noises. Reminded me of the Chuck E. Cheese band. Pretty cool stuff.

So once we got settled our first stop was the Neon Graveyard. The Neon Graveyard is a park like space that is home to a bunch of old vintage signs from long long ago when Sinatra roamed the streets of Vegas. It’s an amazing place. Here are a few of my favorite pieces from there:

chris crisman neon boy golfer portrait chris crisman neon boy golfer portrait chris crisman neon boy golfer portrait chris crisman neon boy golfer portrait

chris crisman neon boy golfer portrait chris crisman neon boy golfer portrait

As you can see from the final Neon Boy picture up top, we pieced together a variety of the signs and transformed day into night. When we got back home, we shot our hero and a few other pieces in studio. I’m no retoucher but I’m sure Zack had a great time putting the whole thing together…

After we got what we needed for the Neon Boy picture, we headed out to Mesquite, NV. This is where mother nature screwed us out of our portfolio picture. Mesquite is a little town a few hours northeast of Vegas. It’s basically the middle of nowhere. I don’t recommend going there. We stayed at the Virgin River Hotel and Casino. I don’t recommend going there either unless you like second hand smoke and becoming extremely ill….. Let’s not mention Mesquite ever again. Let’s move on.

After our defeat in Mesquite, we headed to back to Las Vegas for our last shot, which details a day on the links with a storied golfer. We needed to get plates at a golf course for this shot and the fine people at the Las Vegas Paiute Golf Resort were kind enough to give us free reign of their beautiful course.

chris crisman neon boy golfer portraitCheck out that form! I’m actually an OK golfer. I shot an 84 last weekend. How ’bout that?

chris crisman neon boy golfer portraitPresident and Vice President of Best Hair in the business right here. I hope they don’t crash their cart. Who will lead us then?!

chris crisman neon boy golfer portrait chris crisman neon boy golfer portrait

chris crisman neon boy golfer portraitAnd again, our golfer in studio back in Philly.

Then things got weird. We stopped in El Dorado Canyon which is even more in the middle of nowhere than Mesquite. It’s the site of the oldest and richest gold mine in Nevada. There were also a bunch of murders and Indian raids here back in the day. We didn’t know what to expect…. Now it’s basically just a few houses and barns filled with all kinds of stuff/junk. I think you can pay them a small donation and they’ll let you walk around with a camera and take pictures.. so we did that. Here are some pictures. You can decide yourself…

chris crisman neon boy golfer portrait chris crisman neon boy golfer portrait chris crisman neon boy golfer portrait chris crisman neon boy golfer portrait chris crisman neon boy golfer portrait

So this was our last stop on our trip. Our trip home was not fun though. We were sitting in our hotel room at around 8pm the night before our flights home. A huge blizzard was supposed to hit Philly a few hours before we landed and the airlines were starting to cancel flights. We got on the phones and booked red eye flights home to land before the storm. Unfortunately the rest of the west coast had the same idea and the four of us couldn’t fly on the same flights. Chris and I had to fly to Phoenix then home which went smootly but uncomfortably. Robert and Zack had to fly to Phoenix then to Orlando then home to Philly.

Their trip ended up being a real life version of the movie Trains, Planes, and Automobiles. It was not a good time for them. :(

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It’s been awhile.

2014 was a whirlwind. My family and I moved just outside of Philadelphia, we left our studio in the city, and we added another Crisman to our clan. On top of all that, I had my best year ever as a photographer. We shot 8 out of the last 12 weeks of the year and the smoke didn’t clear until January. I’m grateful for the all the wonderful changes, and excited with all aspects of our growth.

The world of commercial photography is changing. Because of this, all of our roles and respective responsibilities are constantly in flux. Over here, we have some new faces and new voices. Over the next few months I’ll let them introduce themselves. My hope for this blog moving forward is to let whomever is speaking be more honest and a bit less concerned about being a media outlet. This profession can be challenging, but also so rewarding when you’re really in it. I hope that hearing some unfiltered perspectives here will be of benefit to anyone reading.

We’ll consider this our first step into the new frontier.

Carry on.

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chris crisman running horses portrait

Hi everyone! We are very pleased to announce that we placed in the advertising category of this year’s PDN Photo Annual! Our photo of running horses from our shoot at Lone Mountain Ranch in Montana is among the many amazing pictures selected for this category.

Many thanks go out to the judges and PDN for choosing us this year. To view all the winners for this year, check out the gallery at: pdnphotoannual.com

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chris crisman enviormental portrait surfer

In the fall of 2014 the Crisman team made a quick trip down to the amazing island of Puerto Rico for an assignment. Although we could have stayed for weeks, our schedule only afforded us a few days in paradise – where we did what we do best, we made pictures.

Traveling to the surf capitol of the island, Rincón, we headed straight for the beach in search of the sun, sand and photos to be had. It was on the appropriately named Surf beach that we met up with Rincón local Koty and her dog Maya to shoot a few frames.

chris crisman enviormental portrait surfer

Of course there were very few complaints from the crew – despite the fact that we often had to play human light-stand with a 7B backpack strapped to our backs. No worries though, no assistants, cameras, or lighting gear were lost on this trip.

chris crisman enviormental portrait surfer

We owe a big thank you to Koty and our crew in Puerto Rico for all of their help in making this shot and a handful of others possible –

Questions? Comments? Let us know your thoughts below or @crismanphoto and/crismanphoto!

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