Chris Crisman Photography

Archive
Advertising

crisman wild horses

We’re excited to announce a new collaboration with Captured52, an amazing resource for large format, fine art photography. Starting this Saturday, 2/13 our award winning Wild Horses photo will be available as an open edition 40×60” print. We’re honored to be part of an elite group of image makers that include Sandro Miller, David Burnett, Simon Vahala, Adam Senatori, and Alex Buisse.

Captured52 releases for sale one photograph per week, all printed and framed in stunning large format. Our image will be printed in the USA by a master printer on heavyweight matte Hahnemühle paper, embossed with the Captured52 seal, date-stamped and custom framed in solid wood, museum shadowbox frame. Our Wild Horses image will be available for $1,952.00 including shipping and a large format journal at the end of 2016 featuring images and text from every participating photographer.

Questions, comments? Let us know your thoughts below or @crismanphoto and /crismanphoto. Also make sure to keep up with @Captured52 on Instagram and Captured 52 on Facebook. The sale starts this Saturday 2/13 and will only be available for one week so act fast!

 

Read More

chris crisman, chris crisman photography, chris crisman advertising photography, chris crisman ad photography, chris crisman american standard, chris crisman american standrd dxv, chris crisman dxv, chris crisman 22 squared, chris crisman 22 squared advertising, 22 squard american standard, 22 squared american standard dxv, chris crisman american standard advertising

chris crisman advertising photography american standard

Early on in 2015 we were already chatting with the awesome creatives at 22Squared – the word was in that their client American Standard was interested in shooting a second round of the “As told by DXV” campaign and they wanted to bring the Crisman Team back for the sequel to our 2014 shoot.

From the get-go, we worked closely with the agency and designers at American Standard to brainstorm, concept and ultimately execute three new images for this years campaign. Culled down from practically a dozen candidates, we landed on Beauty & The Beast, The Strange Case of Dr. Jekyll and Mr. Hyde, and Alice’s Adventures in Wonderland – three instantly recognizable classic stories that we were tasked to bring to life in the context of premium plumbing.

chris crisman, chris crisman photography, chris crisman advertising photography, chris crisman ad photography, chris crisman american standard, chris crisman american standrd dxv, chris crisman dxv, chris crisman 22 squared, chris crisman 22 squared advertising, 22 squard american standard, 22 squared american standard dxv, chris crisman american standard advertising

This was no small task, but we knew our team was up to the challenge. Choosing to shoot this in our hometown of Philadelphia meant that this project was a bit of bringing the band back together from 2014. Our first call was to the talented set designer Matthew Englebert. He was on-board from day one, overseeing the practical design and construction of our three sets. Matthew and his team worked for weeks to design, build, and prop the three spaces – creating custom pieces that show a true mastery of craft and an artisan quality of construction.

Crisman_American_Standard_DXV_008

chris crisman advertising photography american standard

We worked closely with the team and 22 Squared and the brand designers from American Standard to create rooms that framed up the story while keeping the plumbing fixtures the star of the show. This meant lots of discussions and lots of collaboration between Chris, our team, the agency, and the designers at American Standard. It was an amazing process to watch everyone’s ideas and input get distilled down into the three final ads.

Not only that, but it is equally amazing to see these concepts physically brought to life and built by our set building crew. Trust me when I tell you that every little detail, down to the subtle coloring of the real poured concrete floor is not missed by these talented folks.

Beauty_ad2a

Alice_ToiletLidOpeningOnly-2-GIF-Final

One of the biggest and certainly the coolest differences between our previous campaign and this years shoot for American Standard was the decision to shoot motion content and create cinemagraphs. To achieve this we needed to both concept actions and elements in the images that functioned with motion, and also practically light and build our sets in such a way that we could capture this content. For every shot that we lit with strobe, we needed to match that lighting with HMI & continuous lighting.

The results are something we’re really excited about and definitely plan on shooting again.

chris crisman advertising photography american standard

chris crisman, chris crisman photography, chris crisman advertising photography, chris crisman ad photography, chris crisman american standard, chris crisman american standrd dxv, chris crisman dxv, chris crisman 22 squared, chris crisman 22 squared advertising, 22 squard american standard, 22 squared american standard dxv, chris crisman american standard advertising

chris crisman, chris crisman photography, chris crisman advertising photography, chris crisman ad photography, chris crisman american standard, chris crisman american standrd dxv, chris crisman dxv, chris crisman 22 squared, chris crisman 22 squared advertising, 22 squard american standard, 22 squared american standard dxv, chris crisman american standard advertising

chris crisman, chris crisman photography, chris crisman advertising photography, chris crisman ad photography, chris crisman american standard, chris crisman american standrd dxv, chris crisman dxv, chris crisman 22 squared, chris crisman 22 squared advertising, 22 squard american standard, 22 squared american standard dxv, chris crisman american standard advertising

With any large production – it quite literally takes a village to get the shot sometimes. Whether that’s designing and building the sets, wrangling the animal talent, propping out the shots, tweaking the lights, or even in my case – standing in for a light test…

As always, we owe a huge thanks to everyone who helped bring this project together. From our clients at American Standard and 22Squared to our talented set building and construction crew, the hair and makeup and wardrobe styling team, and our trusty photo assistants. We couldn’t have created these images with you all so thank you!

Questions? Comments? let us know your thoughts below or @crismanphoto and /crismanphoto!

Read More

crisman_intuit_quickbooks_005

crisman_intuit_quickbooks_007

crisman_intuit_quickbooks_003

“Own It” – I can’t think of a better opening phrase for this blog post than the tagline of the campaign itself. We’re really excited to share some work we shot towards the end of 2014 for Intuit Quickbooks. Partnering with the amazing creatives at RPA, we brought a campaign to life featuring small business owners who embody the spirit of “owning it.”

Our production took us all over Los Angeles, shooting talent who included beekeepers animal veterinarians, and woodworkers. Two great shoot days with an awesome crew resulted in beautiful images that you can find in magazines and plastered on billboards throughout the country.

crisman_intuit_quickbooks_012

crisman_intuit_quickbooks_011

It is definitely worth noting that our beekeeper shot was done entirely in camera. Sure we may have added a few extra bees in post, but they were all real – and so were the beekeeping suits.

When the rest of the crew cleared off set, Chris and yours truly donned full bee protection and got ready for a fast 30 minutes of shooting. It’s also worth noting here that making any kind of battery of CF card changes to a Phase One digital back while wearing padded beekeeping gloves is strongly not advised.

crisman_intuit_quickbooks_001

You’d think the drama would have ended with the beekeeping shoot, but a little known fact about myself is that I’m actually scared of horses. No childhood trauma, no weird experiences, I just kinda don’t like how big or unpredictable they can be. I think this picture pretty much sums it up.

chris crisman advertising photography intuit quickbooks

crisman_intuit_quickbooks_017

Our second day of shooting brought us to an awesome private woodworking shop just north of LA. Naturally with woodworking, you need sawdust and haze to get the right look and feel. Judging by the BTS photos from that day… It was pretty hazy on set. This shoot is also responsible for Chris’s newfound love of hazer machines.

crisman_intuit_quickbooks_008

With any project like this, we owe a big thank you to the awesome agency RPA for having us on-board to bring their concepts to life as well as our LA based crew – you guys totally rocked it.

Thanks for reading – make sure to check us out at @Crismanphoto on Instagram and /Crismanphoto on Facebook.

Read More

crisman wild horses

Hey everyone! This years Communication Arts Photography Annual was just delivered here to our studio. We’re always excited when this issue falls on our desk – there’s always so much amazing work included. So we’re equally excited to announce that our “Wild Horses” photo was selected to be included in the Advertising section!

Com_arts_CC

 We also owe a big congrats to fellow group member, Andy Anderson, for scoring the cover this year with a beautiful shot from his book, SALT. And we can’t forget fellow shooters Richard Schultz, Hunter Freeman, and Leigh Beisch – so proud to be part of such a talent group with Heather Elder Represents.

com_arts_cover

Questions? Comments? Let us know at @crismanphoto on Instagram and /crismanphoto on Facebook.

Read More

crisman_5Ds

Hi everyone!

So we just recently received a new Canon 5Ds. It’s been a long wait since we pre-ordered, but it’s finally here so we decided to see how it looked side by side with our trusty 5D Mark III and our somewhat finicky IQ 160 Phase One back. Below are some comparisons of Chris’ pearly blues from ISO ranges 100-800.

This is just our quick look at the cameras side by side to get a idea of what the new canon is all about. It’s by no means an in depth technical review… We’re not exactly the most technical photo crew on the planet and we’re not hoping to be so either.

What we’ve noticed between the cameras is that the 5Ds files have a bit more contrast than the 5D3. The 5D3 handles higher ISO’s a little better than the 5Ds but that was expected with the cramming of more pixels into the sensor. The 5Ds is very close in sharpness to the IQ160 but we feel the IQ160 beats it just barely. In terms of ISO, the IQ160 is really not great above ISO 200, and even though we rarely shoot above 800, the 5Ds will be able to cover us in that department as well as having an actually functioning auto focus system.

I’m sorry medium format cameras, but you guys just cant keep up against massive multi-point AF arrays. I can see us moving away from the IQ160 for these reasons alone, but then again it could open the door for buying an even larger medium format back in the future.

Take a look at the images below.  We’d love to hear your take on all of this as well – let us know in the comments!

-Jared

Click the images to see them at 100%.

ISO 100 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 100 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 200 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 200 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 400 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 400 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 800 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

ISO 800 test between Canon 5d Mark III, Canon 5DS, and PhaseOne IQ160.

Read More

Screen Shot 2015-05-06 at 11.46.20 AM

chris crisman running horses portrait

Hi everyone! We are very pleased to announce that we placed in the advertising category of this year’s PDN Photo Annual! Our photo of running horses from our shoot at Lone Mountain Ranch in Montana is among the many amazing pictures selected for this category.

Many thanks go out to the judges and PDN for choosing us this year. To view all the winners for this year, check out the gallery at: pdnphotoannual.com

Read More

chris crisman advertising photo travel busy

Whew. That’s about all we can say for the last six weeks. Starting in October, lasting through the entire month of November and just now after a quick bite of turkey and some stuffing, we can take a breath and reflect on how crazy-busy we’ve been these past few weeks. Our almost non-stop schedule of shoots has taken us across the country, up to NYC, down to tropical Puerto Rico, and crisscrossing a ton of cities in between including Washington DC, Nashville, Los Angeles, and Detroit to name a few.

So what do we have to show for all of this travel? As always our hands are tied to show the final results, but we’ve really created some beautiful new photos and have great stories to share along with them. For now though, we’ll tell our story through pictures and share a taste of everything we’ve seen. Enjoy!

chris crisman advertising photo travel busy

chris crisman advertising photo travel busy

chris crisman advertising photo travel busy

chris crisman advertising photo travel busy

chris crisman advertising photo travel busy

chris crisman advertising photo travel busy

chris crisman advertising photo travel busy

chris crisman advertising photo travel busy

chris crisman advertising photo travel busy

chris crisman advertising photo travel busy

chris crisman advertising photo travel busy

chris crisman advertising photo travel busy

chris crisman advertising photo travel busy

 

The past month and a half have sure been a wild ride and it’s not over quite yet. We’ll be jamming straight on through till 2015. As for now though, stay tuned and keep in touch below or @crismanphoto and /crismanphoto!

Read More