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chris crisman the musician conceptual personal work

We’re always striving to create new work that we’ve never seen before – some images that exist squarely in reality and others that require a bit more imagination to create and a bit more ingenuity to bring to life. When we’re in the studio concepting and brainstorming, ideas have a tendency to grow and build off of other ideas until everyone has a clear vision of what we’re after, whether it exists in reality or not.

For this new photo that we’re calling The Musician, both the location and the talent were born out of a brainstorming session that got us all a bit carried away, with thoughts and ideas that compounded and forced us to ask the question: “how can we shoot that?”

chris crisman the musician conceptual personal work

First and foremost we needed an environment for our photograph. From imagination to the internet and eventually to reality, we whittled down the list of possible locations from a worldwide search (ruled out – too many frequent flyer miles to travel to Europe on short notice) and eventually discovered a violin shop in the tri-state area that contained all of the pieces of what we were looking for.

chris crisman the musician conceptual personal work

Were those pieces necessarily lined up and constructed in the way that they needed to be for our concept to come to life? Not so much. But we knew that the reality of the space was merely a detail that we could overcome with a touch of creative retouching and post-work.

So we shot, and shot and shot, capturing as many angles and vantages on the violin shop as we could, knowing that the final space would be created as a composite of these pieces.

chris crisman the musician conceptual personal work

chris crisman the musician conceptual personal work

As for the character, we knew we wanted someone who would look eccentric and eclectic, someone who could match with and amplify the background we’d created. Simply enough, our casting call only asked for “unique looking” males and we let the magic of the search provide what it could. After sifting through a few pages of results, we knew immediately who our talent would be when we saw Geoff Lee – an actor and musician based in New York. Geoff was on-board and with the help of our talented prop and wardrobe stylists set to work creating his character.

In the end it all came together seamlessly, a space and character born out of imagination and brought to life through our vision. As always, we can say that the sum is greater than the whole of it’s parts, but those parts deserve a thank you. Many thanks to our talented model Geoff, Matthew Englebert on props, Wendy Oswald Kinney for wardrobe help, Megan Ambroch for makeup styling, and of course the talented folks at PXL House for bringing it all together in post.

Questions, comments? Let us know your thoughts below or @crismanphoto and /crismanphoto!

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We may have a few less blog posts to show for it than usual, but 2015 has been a year with just as many days on set and on the road as the past few before it. With any shoot there comes those wonderfully awkward test shots and cringe-worthy behind the scenes shots. Since it’s the end of the year, what better time and place to share them all here on the blog:

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015  chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015   chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

And there we have it – 2015 is all wrapped up. We’ll be taking New Years off, then getting back into the swing of things early in 2016. We hope you’re as excited as we are for what the new years has in store – happy holidays all!

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chris crisman advertising photography american standard

Early on in 2015 we were already chatting with the awesome creatives at 22Squared – the word was in that their client American Standard was interested in shooting a second round of the “As told by DXV” campaign and they wanted to bring the Crisman Team back for the sequel to our 2014 shoot.

From the get-go, we worked closely with the agency and designers at American Standard to brainstorm, concept and ultimately execute three new images for this years campaign. Culled down from practically a dozen candidates, we landed on Beauty & The Beast, The Strange Case of Dr. Jekyll and Mr. Hyde, and Alice’s Adventures in Wonderland – three instantly recognizable classic stories that we were tasked to bring to life in the context of premium plumbing.

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This was no small task, but we knew our team was up to the challenge. Choosing to shoot this in our hometown of Philadelphia meant that this project was a bit of bringing the band back together from 2014. Our first call was to the talented set designer Matthew Englebert. He was on-board from day one, overseeing the practical design and construction of our three sets. Matthew and his team worked for weeks to design, build, and prop the three spaces – creating custom pieces that show a true mastery of craft and an artisan quality of construction.

Crisman_American_Standard_DXV_008

chris crisman advertising photography american standard

We worked closely with the team and 22 Squared and the brand designers from American Standard to create rooms that framed up the story while keeping the plumbing fixtures the star of the show. This meant lots of discussions and lots of collaboration between Chris, our team, the agency, and the designers at American Standard. It was an amazing process to watch everyone’s ideas and input get distilled down into the three final ads.

Not only that, but it is equally amazing to see these concepts physically brought to life and built by our set building crew. Trust me when I tell you that every little detail, down to the subtle coloring of the real poured concrete floor is not missed by these talented folks.

Beauty_ad2a

Alice_ToiletLidOpeningOnly-2-GIF-Final

One of the biggest and certainly the coolest differences between our previous campaign and this years shoot for American Standard was the decision to shoot motion content and create cinemagraphs. To achieve this we needed to both concept actions and elements in the images that functioned with motion, and also practically light and build our sets in such a way that we could capture this content. For every shot that we lit with strobe, we needed to match that lighting with HMI & continuous lighting.

The results are something we’re really excited about and definitely plan on shooting again.

chris crisman advertising photography american standard

chris crisman, chris crisman photography, chris crisman advertising photography, chris crisman ad photography, chris crisman american standard, chris crisman american standrd dxv, chris crisman dxv, chris crisman 22 squared, chris crisman 22 squared advertising, 22 squard american standard, 22 squared american standard dxv, chris crisman american standard advertising

chris crisman, chris crisman photography, chris crisman advertising photography, chris crisman ad photography, chris crisman american standard, chris crisman american standrd dxv, chris crisman dxv, chris crisman 22 squared, chris crisman 22 squared advertising, 22 squard american standard, 22 squared american standard dxv, chris crisman american standard advertising

chris crisman, chris crisman photography, chris crisman advertising photography, chris crisman ad photography, chris crisman american standard, chris crisman american standrd dxv, chris crisman dxv, chris crisman 22 squared, chris crisman 22 squared advertising, 22 squard american standard, 22 squared american standard dxv, chris crisman american standard advertising

With any large production – it quite literally takes a village to get the shot sometimes. Whether that’s designing and building the sets, wrangling the animal talent, propping out the shots, tweaking the lights, or even in my case – standing in for a light test…

As always, we owe a huge thanks to everyone who helped bring this project together. From our clients at American Standard and 22Squared to our talented set building and construction crew, the hair and makeup and wardrobe styling team, and our trusty photo assistants. We couldn’t have created these images with you all so thank you!

Questions? Comments? let us know your thoughts below or @crismanphoto and /crismanphoto!

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chris crisman kevin kline portraits photos

A few weeks ago, our editors at the New York Observer called with the opportunity to photograph none other than the actor and comedian Kevin Kline. A true professional, Mr. Kline was an amazing subject who was generous with his time and open to some of our crazier ideas. We owe a big thank you to our editors at the Observer as well as Kevin and his team for making this possible.

chris crisman kevin kline portraits photos

chris crisman kevin kline portraits photos

chris crisman kevin kline portraits photos

We shot a handful of options, both studio portraits and environmental setups. We had the luxury of shooting in the rooftop bar at the Archer Hotel, offering us beautiful views of midtown Manhattan.

chris crisman kevin kline portraits photos

chris crisman kevin kline portraits photos

And at this point you’re probably wondering where the cookies and milk came from. No this was not some clever prop that we had planned all along – it was a request of Mr. Kline’s. When we explained we were shooting him sitting at the bar and asked what he wanted, the answer was simple “milk and cookies.” Genius.

Questions? Comments? Let us know below or @crismanphoto and /crismanphoto!

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chris crisman advertising photo website updateIt’s a big day today – we’ve updated Crismanphoto.com with a ton of new work from the past few months. We’ve been shooting all summer long from coast to coast and finally can share a handful of these new shots – including the image above, shot in the badlands of North Dakota. We’ve been from Philadelphia to Seattle, Idaho to Minneapolis, Nevada to NYC and what feels like everywhere in-between and we have the photos to prove it.

chris crisman advertising photo website updateYou may notice a few familiar faces and definitely a few new faces under the “New Work” section – we have a ton of stories to share that go along with all of this new work, so keep your eyes peeled for blog posts in the near future.

chris crisman advertising photo website updateWe’ve also taken time to overhaul our “Portfolio” gallery to reflect the latest updated to our printed book. Chances are you may not have a chance to see our printed book in person anytime soon, but the portfolio gallery now reflects those images that have made it to print.

As always, you can dive into all this new work at none other than www.crismanphoto.com – enjoy!

Questions? Comments? Let us know your thoughts below or @crismanphoto and /crismanphoto!

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1409_Martha-1Leave it to our friends over at Philadelphia Magazine to always call with a unique assignment. In the past while working with Philly Mag, we’ve shot anyone and everyone in our fine city – from mayors to titans of business, classic chefs, to the city’s movers and shakers. When the call came in last month to shoot Philadelphia’s most famous performers, Dito van Reigersberg, how could we turn it down? Just last month we spent the day with Dito’s character, Martha Graham Cracker making portraits – keep reading to see how it all turned out…

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