Personal Work – A cure for what ails you

By Chris Crisman

Did anyone play the lottery this week? Our team certainly did and a $10 ticket turned out to be less about the chance of winning a gazillion decimal points. It became a time to share the possibilities of a future. Some of us would shut it down and coast, some of us would devise a plan to share the wealth and give back to everyone that could use it, some of us simply dreamt of just taking a break. It’s a tantalizing exercise to contemplate the opportunities you could have, the challenges that would arise, and just how you would find ways to balance it all.

We are approached to work on so many jobs and it is hard to deny the randomness to how each year shakes out for us. We try to move forward on as many opportunities as possible and they need to have the right values to do so. When looking back on a year we seem to strike the right balance of projects. To be able to find creative fulfillment and financial stability with our work. Sometimes we are presented with a special Unicorn project that we dream of working on but no matter how much we fight for the job it still gets away. Even though you think you have dominance of the situation, there will always be a number of variables that are out of your control. Embracing this reality has really kept me from going insane.

Another aspect of our work that helps balance the inevitable presence of impending insanity – personal work. It is as easy as putting a pin on a map. Just you and your camera traveling to beautiful locations can be unpredictable magic waiting to happen. 

 Alternatively, you can dedicate your time and other resources to hone in on exactly what it is you want to express; this is my preferred method. With these projects – or singular images – you can easily give you and your team back the control, vision, taste, and your calendar that often seems out of your hands.

It all sounds simple, but I still struggle. I struggle with the where, the when, and the how. I struggle with whether I am choosing the right concept or idea to focus on. Will the small detail of a coat on the guy actually ruin an otherwise perfect image? Above all else, I struggle with the why. If I make this picture, will anyone care? Will it inspire someone who sees it? Anyone? Beyond all else, is there a chance that this work could possibly change the way people see the world? I think about all of this with every project that I undertake – especially the ones where I am able to have complete control of the end result.

I’ve already mentioned embracing randomness- this idea goes both for things you can and can’t control. Alt-country artist Sturgill Simpson who was right when he said, “Some days you kill it, some days you just choke”. The reality in this sentiment rings clear for me. I won’t always be a winner, but If I keep my head down and focus clear, I will continue to find a balance throughout my career. One last thing, don’t spend more than $10 playing the lottery, even if I’m sayin’ there’s a chance.

MGM: Rivea Restaurant & Chef Bruno Riou

There are very few moments that a restaurant kitchen is quiet. It is a living thing that thrives on high-energy, passion, and creativity. A highly functional kitchen will feed many people delicious and memorable food every night with each plate prepared with care and love.

In the heart of Rivea Restaurant is where you will find Executive Head Chef Bruno Riou. With a decade of experience working with Alain Ducasse in London, he seized an opportunity to run is own kitchen in Las Vegas at miX and then in 2015 at Rivea restaurant.

One of the challenges a photo crew working in a kitchen is that a photo crew isn’t supposed to be in a kitchen. The space is created for the chefs to work as efficiently as possible. To successfully work with each other like well oiled machines is a requirement for a kitchen and photo team alike. With that in mind we danced about the stainless steel maze photographing Bruno at work.

But what is better with a meal than a perfect pair glass of wine. Somellier Matthew George manages one of the largest wine cellars in Las Vegas that consists of 8500 bottles of 1700 different label selections.

Same as the kitchen, a wine cellar is not meant for a photo crew. There was once again a need for creative collaboration to capture the grandness of the space.

With a few climbing of ladders and Chris wedging himself in an automated sliding door. At the end of the day, we made beautiful photos, worked with great people, and had a wonderful time in Las Vegas

Captured52 + Chris Crisman

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We’re excited to announce a new collaboration with Captured52, an amazing resource for large format, fine art photography. Starting this Saturday, 2/13 our award winning Wild Horses photo will be available as an open edition 40×60” print. We’re honored to be part of an elite group of image makers that include Sandro Miller, David Burnett, Simon Vahala, Adam Senatori, and Alex Buisse.

Captured52 releases for sale one photograph per week, all printed and framed in stunning large format. Our image will be printed in the USA by a master printer on heavyweight matte Hahnemühle paper, embossed with the Captured52 seal, date-stamped and custom framed in solid wood, museum shadowbox frame. Our Wild Horses image will be available for $1,952.00 including shipping and a large format journal at the end of 2016 featuring images and text from every participating photographer.

Questions, comments? Let us know your thoughts below or @crismanphoto and /crismanphoto. Also make sure to keep up with @Captured52 on Instagram and Captured 52 on Facebook. The sale starts this Saturday 2/13 and will only be available for one week so act fast!

 

New Personal Work: The Musician

chris crisman the musician conceptual personal work

We’re always striving to create new work that we’ve never seen before – some images that exist squarely in reality and others that require a bit more imagination to create and a bit more ingenuity to bring to life. When we’re in the studio concepting and brainstorming, ideas have a tendency to grow and build off of other ideas until everyone has a clear vision of what we’re after, whether it exists in reality or not.

For this new photo that we’re calling The Musician, both the location and the talent were born out of a brainstorming session that got us all a bit carried away, with thoughts and ideas that compounded and forced us to ask the question: “how can we shoot that?”

chris crisman the musician conceptual personal work

First and foremost we needed an environment for our photograph. From imagination to the internet and eventually to reality, we whittled down the list of possible locations from a worldwide search (ruled out – too many frequent flyer miles to travel to Europe on short notice) and eventually discovered a violin shop in the tri-state area that contained all of the pieces of what we were looking for.

chris crisman the musician conceptual personal work

Were those pieces necessarily lined up and constructed in the way that they needed to be for our concept to come to life? Not so much. But we knew that the reality of the space was merely a detail that we could overcome with a touch of creative retouching and post-work.

So we shot, and shot and shot, capturing as many angles and vantages on the violin shop as we could, knowing that the final space would be created as a composite of these pieces.

chris crisman the musician conceptual personal work

chris crisman the musician conceptual personal work

As for the character, we knew we wanted someone who would look eccentric and eclectic, someone who could match with and amplify the background we’d created. Simply enough, our casting call only asked for “unique looking” males and we let the magic of the search provide what it could. After sifting through a few pages of results, we knew immediately who our talent would be when we saw Geoff Lee – an actor and musician based in New York. Geoff was on-board and with the help of our talented prop and wardrobe stylists set to work creating his character.

In the end it all came together seamlessly, a space and character born out of imagination and brought to life through our vision. As always, we can say that the sum is greater than the whole of it’s parts, but those parts deserve a thank you. Many thanks to our talented model Geoff, Matthew Englebert on props, Wendy Oswald Kinney for wardrobe help, Megan Ambroch for makeup styling, and of course the talented folks at PXL House for bringing it all together in post.

Questions, comments? Let us know your thoughts below or @crismanphoto and /crismanphoto!

2015 in Review – Behind the Scenes

We may have a few less blog posts to show for it than usual, but 2015 has been a year with just as many days on set and on the road as the past few before it. With any shoot there comes those wonderfully awkward test shots and cringe-worthy behind the scenes shots. Since it’s the end of the year, what better time and place to share them all here on the blog:

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015  chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015   chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

And there we have it – 2015 is all wrapped up. We’ll be taking New Years off, then getting back into the swing of things early in 2016. We hope you’re as excited as we are for what the new years has in store – happy holidays all!

2015 in Review – Our Best Work

It may not feel like the end of December on the east coast, but as our team is wrapping up for 2015, we felt it was necessary to take a few minutes and reflect back on this year. We’ve been coast-to-coast and plenty of places in between; after countless traveling, producing, shooting, and retouching the year is finally winding down – and what a great one it has been. Keeping up with our yearly blog tradition, Chris and our team sat down and chose our favorites from 2015. Enjoy!

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

As always, none of the images above would be what they are without those who have helped us create them.  From our amazing clients and the awesome creatives we’ve worked with from all of the country and the world to the dedicated and resourceful crew who have helped produce, style, prop, dress, and light these shoots – and we can’t forget our subjects, the real people, the talented models, and everyone else in between who we capture with our lens: Thank you, we couldn’t have done it without you.

Cheers and make sure to let us know your thoughts below or @crismanphoto and/crismanphoto!

 

Personal Work: Hot Air Balloons

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Some images come together quickly while others take their time, changing and developing over weeks and months to be fully realized. Our hot air balloon photo definitely falls into the latter category; a photo that has been on Chris’s mind for quite some time and one that the team has been actively chasing since January of this year.

As with many great (or terrible) stories, this one starts in Las Vegas. In January of this year, we decided to finally pursue bringing Chris’s vision for a dynamic hot air balloon portrait to life – after some research and  a few phone calls, we were booked for the weekend with special aerial access at a small hot air balloon festival in Mesquite NV, only a few hours north of Las Vegas. As far as we were concerned, this was our chance to shoot a sky full of balloons – the perfect background for this photo.

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That weekend in Mesquite, our team learned a lot about the world of hot air ballooning. We learned tons of information on balloons, safety regulations, wind and weather patterns, proper chasing techniques – the list of ballooning lingo goes on.

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Unfortunately, despite all this newfound knowledge, one thing we most definitely did not do though, was fly in a hot air balloon. After two mornings of 5:00am call times in the middle of the desert, we left Nevada empty handed due to high winds and unsafe flying conditions; it was a bust (despite and voodoo or magical efforts Chris may be making in the photo above… the wind was just not on our side).

Did we give up? Of course not. As soon as we landed back in Philadelphia, we were on the search for the next balloon festival we could line up.

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In the meantime, we were also searching for a truly amazing landscape to serve as the backdrop for this photo. We knew the perspective needed to be shot from the sky, so what did we do? Made sure we were carrying our cameras with us on almost every flight. It just so happened that a seaplane flight in Alaska provided the appropriately epic landscape we were looking for

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Finally in August we set our sights on a huge festival in New Jersey – flying up with dozens of balloons and shooting the whole time, we captured hundreds of photos from all angles. After discussing and sketching and planning the image for months, we all had a pretty good idea of the pieces we needed to shoot, but once the balloons all took off, it was honestly a bit of a free-for-all to shoot as much as we could. We’ve learned that hot air balloons are not exactly the most predictable type of vehicle.

cc2015025 - Balloon talent

cc2015025 - Balloon talent

cc2015025 - Balloon talent

Last but not least, all we needed were our models, and of course another hot air balloon to shoot them in. Surprisingly enough, this may have been the easiest part of the photo. We worked with Carter County Flights, a small family owned company local to Philadelphia to help us achieve the final piece to this photographic puzzle. All that was left to find two great models, dress them and shoot a few photos.

It may have taken almost a year to come together, but we’re so happy with this image – it’s not always applicable, but in this case the final product is truly greater than the sum of its parts.

When it’s all said and done, we owe a big thank you to everyone who helped bring this image to life: The fine folks at the Casablanca Resort in Mesquite NV, everyone at the NJ Festival of Ballooning, the various members of our team who traveled, assisted, or helped shoot parts of this image, and of course our very talented models from Reinhard Philadelphia. Thanks all!

Questions? Comments? let us know your thoughts below or @crismanphoto and /crismanphoto!