Chris Crisman Photography

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crisman wild horses

We’re excited to announce a new collaboration with Captured52, an amazing resource for large format, fine art photography. Starting this Saturday, 2/13 our award winning Wild Horses photo will be available as an open edition 40×60” print. We’re honored to be part of an elite group of image makers that include Sandro Miller, David Burnett, Simon Vahala, Adam Senatori, and Alex Buisse.

Captured52 releases for sale one photograph per week, all printed and framed in stunning large format. Our image will be printed in the USA by a master printer on heavyweight matte Hahnemühle paper, embossed with the Captured52 seal, date-stamped and custom framed in solid wood, museum shadowbox frame. Our Wild Horses image will be available for $1,952.00 including shipping and a large format journal at the end of 2016 featuring images and text from every participating photographer.

Questions, comments? Let us know your thoughts below or @crismanphoto and /crismanphoto. Also make sure to keep up with @Captured52 on Instagram and Captured 52 on Facebook. The sale starts this Saturday 2/13 and will only be available for one week so act fast!

 

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chris crisman the musician conceptual personal work

We’re always striving to create new work that we’ve never seen before – some images that exist squarely in reality and others that require a bit more imagination to create and a bit more ingenuity to bring to life. When we’re in the studio concepting and brainstorming, ideas have a tendency to grow and build off of other ideas until everyone has a clear vision of what we’re after, whether it exists in reality or not.

For this new photo that we’re calling The Musician, both the location and the talent were born out of a brainstorming session that got us all a bit carried away, with thoughts and ideas that compounded and forced us to ask the question: “how can we shoot that?”

chris crisman the musician conceptual personal work

First and foremost we needed an environment for our photograph. From imagination to the internet and eventually to reality, we whittled down the list of possible locations from a worldwide search (ruled out – too many frequent flyer miles to travel to Europe on short notice) and eventually discovered a violin shop in the tri-state area that contained all of the pieces of what we were looking for.

chris crisman the musician conceptual personal work

Were those pieces necessarily lined up and constructed in the way that they needed to be for our concept to come to life? Not so much. But we knew that the reality of the space was merely a detail that we could overcome with a touch of creative retouching and post-work.

So we shot, and shot and shot, capturing as many angles and vantages on the violin shop as we could, knowing that the final space would be created as a composite of these pieces.

chris crisman the musician conceptual personal work

chris crisman the musician conceptual personal work

As for the character, we knew we wanted someone who would look eccentric and eclectic, someone who could match with and amplify the background we’d created. Simply enough, our casting call only asked for “unique looking” males and we let the magic of the search provide what it could. After sifting through a few pages of results, we knew immediately who our talent would be when we saw Geoff Lee – an actor and musician based in New York. Geoff was on-board and with the help of our talented prop and wardrobe stylists set to work creating his character.

In the end it all came together seamlessly, a space and character born out of imagination and brought to life through our vision. As always, we can say that the sum is greater than the whole of it’s parts, but those parts deserve a thank you. Many thanks to our talented model Geoff, Matthew Englebert on props, Wendy Oswald Kinney for wardrobe help, Megan Ambroch for makeup styling, and of course the talented folks at PXL House for bringing it all together in post.

Questions, comments? Let us know your thoughts below or @crismanphoto and /crismanphoto!

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We may have a few less blog posts to show for it than usual, but 2015 has been a year with just as many days on set and on the road as the past few before it. With any shoot there comes those wonderfully awkward test shots and cringe-worthy behind the scenes shots. Since it’s the end of the year, what better time and place to share them all here on the blog:

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015  chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015   chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

chris crisman advertising photography behind the scenes 2015

And there we have it – 2015 is all wrapped up. We’ll be taking New Years off, then getting back into the swing of things early in 2016. We hope you’re as excited as we are for what the new years has in store – happy holidays all!

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It may not feel like the end of December on the east coast, but as our team is wrapping up for 2015, we felt it was necessary to take a few minutes and reflect back on this year. We’ve been coast-to-coast and plenty of places in between; after countless traveling, producing, shooting, and retouching the year is finally winding down – and what a great one it has been. Keeping up with our yearly blog tradition, Chris and our team sat down and chose our favorites from 2015. Enjoy!

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

chris crisman advertising photography best of 2015

As always, none of the images above would be what they are without those who have helped us create them.  From our amazing clients and the awesome creatives we’ve worked with from all of the country and the world to the dedicated and resourceful crew who have helped produce, style, prop, dress, and light these shoots – and we can’t forget our subjects, the real people, the talented models, and everyone else in between who we capture with our lens: Thank you, we couldn’t have done it without you.

Cheers and make sure to let us know your thoughts below or @crismanphoto and/crismanphoto!

 

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Some images come together quickly while others take their time, changing and developing over weeks and months to be fully realized. Our hot air balloon photo definitely falls into the latter category; a photo that has been on Chris’s mind for quite some time and one that the team has been actively chasing since January of this year.

As with many great (or terrible) stories, this one starts in Las Vegas. In January of this year, we decided to finally pursue bringing Chris’s vision for a dynamic hot air balloon portrait to life – after some research and  a few phone calls, we were booked for the weekend with special aerial access at a small hot air balloon festival in Mesquite NV, only a few hours north of Las Vegas. As far as we were concerned, this was our chance to shoot a sky full of balloons – the perfect background for this photo.

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That weekend in Mesquite, our team learned a lot about the world of hot air ballooning. We learned tons of information on balloons, safety regulations, wind and weather patterns, proper chasing techniques – the list of ballooning lingo goes on.

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Unfortunately, despite all this newfound knowledge, one thing we most definitely did not do though, was fly in a hot air balloon. After two mornings of 5:00am call times in the middle of the desert, we left Nevada empty handed due to high winds and unsafe flying conditions; it was a bust (despite and voodoo or magical efforts Chris may be making in the photo above… the wind was just not on our side).

Did we give up? Of course not. As soon as we landed back in Philadelphia, we were on the search for the next balloon festival we could line up.

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In the meantime, we were also searching for a truly amazing landscape to serve as the backdrop for this photo. We knew the perspective needed to be shot from the sky, so what did we do? Made sure we were carrying our cameras with us on almost every flight. It just so happened that a seaplane flight in Alaska provided the appropriately epic landscape we were looking for

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Finally in August we set our sights on a huge festival in New Jersey – flying up with dozens of balloons and shooting the whole time, we captured hundreds of photos from all angles. After discussing and sketching and planning the image for months, we all had a pretty good idea of the pieces we needed to shoot, but once the balloons all took off, it was honestly a bit of a free-for-all to shoot as much as we could. We’ve learned that hot air balloons are not exactly the most predictable type of vehicle.

cc2015025 - Balloon talent

cc2015025 - Balloon talent

cc2015025 - Balloon talent

Last but not least, all we needed were our models, and of course another hot air balloon to shoot them in. Surprisingly enough, this may have been the easiest part of the photo. We worked with Carter County Flights, a small family owned company local to Philadelphia to help us achieve the final piece to this photographic puzzle. All that was left to find two great models, dress them and shoot a few photos.

It may have taken almost a year to come together, but we’re so happy with this image – it’s not always applicable, but in this case the final product is truly greater than the sum of its parts.

When it’s all said and done, we owe a big thank you to everyone who helped bring this image to life: The fine folks at the Casablanca Resort in Mesquite NV, everyone at the NJ Festival of Ballooning, the various members of our team who traveled, assisted, or helped shoot parts of this image, and of course our very talented models from Reinhard Philadelphia. Thanks all!

Questions? Comments? let us know your thoughts below or @crismanphoto and /crismanphoto!

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chris crisman advertising photography american standard

Early on in 2015 we were already chatting with the awesome creatives at 22Squared – the word was in that their client American Standard was interested in shooting a second round of the “As told by DXV” campaign and they wanted to bring the Crisman Team back for the sequel to our 2014 shoot.

From the get-go, we worked closely with the agency and designers at American Standard to brainstorm, concept and ultimately execute three new images for this years campaign. Culled down from practically a dozen candidates, we landed on Beauty & The Beast, The Strange Case of Dr. Jekyll and Mr. Hyde, and Alice’s Adventures in Wonderland – three instantly recognizable classic stories that we were tasked to bring to life in the context of premium plumbing.

chris crisman, chris crisman photography, chris crisman advertising photography, chris crisman ad photography, chris crisman american standard, chris crisman american standrd dxv, chris crisman dxv, chris crisman 22 squared, chris crisman 22 squared advertising, 22 squard american standard, 22 squared american standard dxv, chris crisman american standard advertising

This was no small task, but we knew our team was up to the challenge. Choosing to shoot this in our hometown of Philadelphia meant that this project was a bit of bringing the band back together from 2014. Our first call was to the talented set designer Matthew Englebert. He was on-board from day one, overseeing the practical design and construction of our three sets. Matthew and his team worked for weeks to design, build, and prop the three spaces – creating custom pieces that show a true mastery of craft and an artisan quality of construction.

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chris crisman advertising photography american standard

We worked closely with the team and 22 Squared and the brand designers from American Standard to create rooms that framed up the story while keeping the plumbing fixtures the star of the show. This meant lots of discussions and lots of collaboration between Chris, our team, the agency, and the designers at American Standard. It was an amazing process to watch everyone’s ideas and input get distilled down into the three final ads.

Not only that, but it is equally amazing to see these concepts physically brought to life and built by our set building crew. Trust me when I tell you that every little detail, down to the subtle coloring of the real poured concrete floor is not missed by these talented folks.

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One of the biggest and certainly the coolest differences between our previous campaign and this years shoot for American Standard was the decision to shoot motion content and create cinemagraphs. To achieve this we needed to both concept actions and elements in the images that functioned with motion, and also practically light and build our sets in such a way that we could capture this content. For every shot that we lit with strobe, we needed to match that lighting with HMI & continuous lighting.

The results are something we’re really excited about and definitely plan on shooting again.

chris crisman advertising photography american standard

chris crisman, chris crisman photography, chris crisman advertising photography, chris crisman ad photography, chris crisman american standard, chris crisman american standrd dxv, chris crisman dxv, chris crisman 22 squared, chris crisman 22 squared advertising, 22 squard american standard, 22 squared american standard dxv, chris crisman american standard advertising

chris crisman, chris crisman photography, chris crisman advertising photography, chris crisman ad photography, chris crisman american standard, chris crisman american standrd dxv, chris crisman dxv, chris crisman 22 squared, chris crisman 22 squared advertising, 22 squard american standard, 22 squared american standard dxv, chris crisman american standard advertising

chris crisman, chris crisman photography, chris crisman advertising photography, chris crisman ad photography, chris crisman american standard, chris crisman american standrd dxv, chris crisman dxv, chris crisman 22 squared, chris crisman 22 squared advertising, 22 squard american standard, 22 squared american standard dxv, chris crisman american standard advertising

With any large production – it quite literally takes a village to get the shot sometimes. Whether that’s designing and building the sets, wrangling the animal talent, propping out the shots, tweaking the lights, or even in my case – standing in for a light test…

As always, we owe a huge thanks to everyone who helped bring this project together. From our clients at American Standard and 22Squared to our talented set building and construction crew, the hair and makeup and wardrobe styling team, and our trusty photo assistants. We couldn’t have created these images with you all so thank you!

Questions? Comments? let us know your thoughts below or @crismanphoto and /crismanphoto!

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“Own It” – I can’t think of a better opening phrase for this blog post than the tagline of the campaign itself. We’re really excited to share some work we shot towards the end of 2014 for Intuit Quickbooks. Partnering with the amazing creatives at RPA, we brought a campaign to life featuring small business owners who embody the spirit of “owning it.”

Our production took us all over Los Angeles, shooting talent who included beekeepers animal veterinarians, and woodworkers. Two great shoot days with an awesome crew resulted in beautiful images that you can find in magazines and plastered on billboards throughout the country.

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It is definitely worth noting that our beekeeper shot was done entirely in camera. Sure we may have added a few extra bees in post, but they were all real – and so were the beekeeping suits.

When the rest of the crew cleared off set, Chris and yours truly donned full bee protection and got ready for a fast 30 minutes of shooting. It’s also worth noting here that making any kind of battery of CF card changes to a Phase One digital back while wearing padded beekeeping gloves is strongly not advised.

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You’d think the drama would have ended with the beekeeping shoot, but a little known fact about myself is that I’m actually scared of horses. No childhood trauma, no weird experiences, I just kinda don’t like how big or unpredictable they can be. I think this picture pretty much sums it up.

chris crisman advertising photography intuit quickbooks

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Our second day of shooting brought us to an awesome private woodworking shop just north of LA. Naturally with woodworking, you need sawdust and haze to get the right look and feel. Judging by the BTS photos from that day… It was pretty hazy on set. This shoot is also responsible for Chris’s newfound love of hazer machines.

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With any project like this, we owe a big thank you to the awesome agency RPA for having us on-board to bring their concepts to life as well as our LA based crew – you guys totally rocked it.

Thanks for reading – make sure to check us out at @Crismanphoto on Instagram and /Crismanphoto on Facebook.

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